Shaun Kardinal

Silver gelatin print. 20 x 20 inches, edition of 3. 10 x 10 inches, edition of 3. Collaboration with Erin Frost.

Erin and I created a photo and a video for the 2010 Seattle Erotic Art Festival.

Short and sweet artist statement: Erin Frost and Shaun Kardinal share combined interests in self-portraiture, film photography, the human form, and each other. This is their first collaboration.

Visit erinfrostphotography.com for Erin’s gorgeous work.

One-take infinite make-out, created for the 2010 Seattle Erotic Art Festival.

Filmed through the viewfinder of Erin’s Hasselblad, we traded control of the shutter-release button. We loved how the released shutter masked the view, in direct opposition to the reveal it provides against film. While there were flaws in the first take–the camera shifts, the light changes drastically–we felt that the first take captured everything we’d hoped for, and more; these flaws were really just part of the whole and we welcomed them.

Displayed on a made-in-’85 motel TV, our video looped continuously throughout the festival.

Visit erinfrostphotography.com for more work by Erin.

Graphite, cut paper, cut and sewn record sleeves. 16 x 22 inches. Collaboration with Joey Bates.

Joey asked a few artists to create the clothes for five of his portraits.

After finishing my collaboration with Troy Gua, I’d been keen to make some larger collage work. Challenged with only a few days to complete my task, I cut up several old record sleeves (Tabu [III] by Santana and Sticky Fingers by the Rolling Stones) and set to work. The collaborative series was included in his March 2010 show at Some Space.

Visit joeybates.com for more from Joey.

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Underexposed photographs from youth, thread and resin on gatorboard glyph. 24 x 18 inches. Collaboration with Troy Gua for 'Meet Greet Rinse Repeat.'

Troy designed and hand-crafted nearly fifty of these glyphs.

He then handed them out to artists to work with. After a few months, he collected them, coated many of them with resin, and in March 2010 hung the lot in a truly epic group show at Monarch Contemporary.

When I received my blank glyph, I was perplexed with it, at first. For nearly two months, I merely looked at it, hanging on a bedroom wall. I’d been making postcard collages and was interested in taking this to a larger scale, but couldn’t see it coming together on that strange canvas.

Then one day I came across a box of old 4×6 photographs, taken in my late teens. Sifting through them, looking for gems to share with friends, I was struck by how many of the shots were poorly exposed and considered throwing out the majority. With all of them set aside, however, I was struck with their consistency in color and feel. Despite coming from so many different rolls and taken on so many different occasions, their similarities were what shown through.

So I spread them out, arranged them. The pieces came together alarmingly well, so I set about slicing them and re-assembling them with my new-found love for sewing. Aside from my pleasure at having tackled an abstract canvas with such an abstract visual assembly, I am also pleased with the implied narrative and how it reflects much of my personal growth.

In addition to being a part of the collaborative group, I worked with Troy to put together an exhibition book, an 8×10″ full color collection of all 50 works in the show.

Meet Greet Rinse Repeat by Troy Gua & The Collaborati, available at Blurb.com for only $30!

Visit troygua.com to see the full series and much more from the prolific Troy Gua.

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Lightjet C-Prints. Diptych, 13-1/2 x 9 inches each, edition of 3.

Ariana and I shared a passion for photography.

We were each working with self-portraiture when our friendship blossomed. Despite our differences in background and intent, our individual works shared one thing in particular: skin. For a long time, we discussed the idea of a collaboration, feeling there would be a strong, graceful balance between us. We talked of a Felice Varini-inspired series and sketched out patterns to draw on our bodies. When the time came to shoot, a funny thing happened: we scrapped everything and worked intuitively with the space and the light we had. The resulting diptych is about the differences and the similarities between us. It was an exciting shoot and I’ll always remember it for being my first true collaboration.

Visit arianapagerussell.com for Ariana’s amazing work.

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