Alterations, 2011

Alteration no. 1

Alteration no. 1, hand-embroidered postcard, 9-1/2 x 4-1/2 inches

A thirty-postcard experiment.

This series was made for my one-night exhibition with Erin Frost at Vignettes. In addition to our collaborative series (i/ii/iii), we each altered a large batch of existing materials. I chose to work exclusively with embroidery on vintage postcards, allowing for no two repeating patterns.

Alteration no. 9

Alteration no. 9, 5-1/2 x 3-1/2 inches

Alteration no. 12

Alteration no. 12, 5-1/2 x 3-1/2 inches

Alteration no. 8

Alteration no. 8, 3-1/2 x 5-1/2 inches

Alteration no. 10

Alteration no. 10, 3-1/2 x 5-1/2 inches

Alteration no. 24

Alteration no. 24, 3-1/2 x 5-1/2 inches

Alteration no. 4

Alteration no. 4, 6 x 4 inches

Alteration no. 3

Alteration no. 3, 6 x 4 inches

I have never attempted a project like this one. Along with Erin’s 26 piece batch, it made for one hell of a wall!

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Intercourse, 2011

Lightjet c-print, 36 x 17-1/4 inches. Collaboration with Erin Frost.

Created for Alterations, a one-night exhibition with Erin Frost.

This set of works combined many of our interests: performance photography, sewing and each other. Though strikingly different in mood and content from our last collaborations, the focus is again on a kind of connection, a force between us.

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Intertwined, 2011

Intertwined, 2011

Lightjet c-prints, 8 x 10 inches each, thread, frames, easels. Collaboration with Erin Frost.

Created for Alterations, a one-night exhibition with Erin Frost.

A sculptural take on the series.

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Tunnel Vision, 2011

Lightjet c-prints, 11 x 14 inches each. Collaboration with Erin Frost.

Created for Alterations, a one-night exhibition with Erin Frost.

This diptych is part of a bigger triptych. It’s a four-part triptych, see.

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Cadillac Ranch (for Lynda), 2011

Hand-embroidered postcard. 9 x 3-1/2 inches.

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