Flying Formation, 2014
An exhibition on Instagram
Lately I’ve been interested in pursuing new routes of engagement in my creative output. Changing up not only my art-making activity, but also reconsidering my standards of presentation and promotion.
When I started making these digital collages of “found” images (taken from Google searches and friends’ Facebook and Instagram feeds), I knew they would be presented only digitally. I did not want to make another precious thing for sale.
Eventually I chose my Instagram feed as the right exhibition space, and would, as a sort of durational performance, post the images over the course of two hours during Seattle’s First Thursday Art Walk. Following contemporary standards, I encouraged people to check it out with a Facebook event, but excluded any telling information and images. #gabbo
When the evening came, I got myself setup at a favorite bar where, lit blue by iPhone and Macbook, I posted an image. Every ten minutes, I composed another—using Instagram’s filters and editor to finish each piece.
(mainlining the secret truths of the universe)
People engaged in the set actively as I posted. In my home feed, the images mixed with shots of other work, tangible work, lining the walls of proper art spaces.
I drank two whiskey-gingers and ate a plate of fries with garlic aioli.
flying
is
learning
how
to
throw
yourself
at
the
ground
and
miss.
When I wrapped things up with the final title image, I closed my computer and put away my phone. Still alone at the bar, I felt newly connected to my art and community, rejuvenated and altogether satisfied with a successful project.
(thank you for joining me)
