Collaboration

Still Hardcore, 2010/12

Lightjet Print, edition of 5, 18 x 24 inches.

Lightjet Print, edition of 5, 18 x 24 inches.

A new print made from an old video.

Collaborative photo and video with Erin Frost showing in June at Parlor Gallery, in Asbury Park, NJ.

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Holding Pattern (TV Guide), 2011

Hand-embroidered magazine (TV Guide, October 1970). 6 x 9 inches. Collaboration with Troy Gua.

A Troy Gua Production

Troy’s latest exhibition, The Sweet Life (Act Like You’re Interested), is a show ‘with many threads’–figuratively with its multiple intertwining core ideas and, with my contribution, quite literally. Troy asked three other artists to generate work for his show. Under his direction [thread], he provided me with a chosen TV Guide cover (after this set), which would rest on the arm of his father’s [thread] old recliner. Surrounding it: trash as art [thread], cleverly-arranged and -manipulated family portraits, art-negating-artworks [thread], and a plastic Jesus swinging from a toy helicopter [thread], among others. If that reads like a mess, it’s probably because it is a little–and it’s a mess I’m very pleased to be a part of.

Holding Pattern (installation view)

The show runs through November 24 at NEPO House in Columbia City, Seattle.

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Intercourse, 2011

Lightjet c-print, 36 x 17-1/4 inches. Collaboration with Erin Frost.

Created for Alterations, a one-night exhibition with Erin Frost.

This set of works combined many of our interests: performance photography, sewing and each other. Though strikingly different in mood and content from our last collaborations, the focus is again on a kind of connection, a force between us.

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Intertwined, 2011

Intertwined, 2011

Lightjet c-prints, 8 x 10 inches each, thread, frames, easels. Collaboration with Erin Frost.

Created for Alterations, a one-night exhibition with Erin Frost.

A sculptural take on the series.

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Tunnel Vision, 2011

Lightjet c-prints, 11 x 14 inches each. Collaboration with Erin Frost.

Created for Alterations, a one-night exhibition with Erin Frost.

This diptych is part of a bigger triptych. It’s a four-part triptych, see.

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